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Michael R. Barrick
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Brilliant Dreams #1
[23rd Jul, 2008|23:18]
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Brilliant Dreams #1
September 1989

Click the image for the a PDF version, 412 KB


Featuring my own terrible poetry, mostly typewritten (remember typewriters?) markup on an old copy of the Buy & Sell, and my co-editor Sara's failure to grasp booklet page ordering so the page numbers are all wrong. Other contributors were my art-school comrades and members of my army of pen-pals from the glorious days before e-mail and Crackbook took all the fun out of correspondence.

In a way these 'zines were the precursors to Gothic BC.
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Would you believe it's been 30 years?
[8th Jan, 2008|20:51]
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Cross-posted from my blog on Gothic BC

The Scream - Siouxsie and the Banshees

What you see here is my now thirty year old original 1978 Polydor U.K. pressing of Siouxsie and the Banshee's "The Scream," arguably the first "Gothic" album, though the word was yet to be applied. There are apocryphal stories (including the alt.gothic FAQ) that Siouxsie Sioux first used the term herself in describing the direction of the band, but it would be at least another year before the word "Gothic" would be used in print to describe any band, and several more years before the term really started to stick.

At the time, though, this would have been called punk and punk is how I came to it. Already a fan of the Sex Pistols, I'd read that Sid Vicious played once as drummer for band called "Siouxsie and the Banshees" and I was curious to hear them. Of course no one in Duncan knew who the Sex Pistols were, let alone Siouxsie and the Banshees. And there was no public Internet, period. I was still a few years away from trading mixed tapes with pen-pals. "Brave New Waves" on the CBC was also years away. The only recourse was pilgrimage to the "big city" - Victoria. 

I purchased this used sometime in late 1979 from "Lyle's Place" (the price tag is still on the front, $5.95) on Yates Street in Victoria, most likely while out with my dad to see some awful movie at the Odeon that would never play in the cinema in Duncan. I would have been 12.

This is it. This is the beginning. This is the undifferentiated stem cell from which all goth music split. And what's most remarkable is even now, thirty years later there is nary a song on this album that wouldn't fly on the dancefloor at Sanctuary right now in 2008. 

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Go Crawl Yourself
[1st Jan, 2008|15:25]
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First off, happy new year, blah, blah, blah, [insert navel-gazing year-in-review/big-plans-for-2008 post here]. There, that's done.

At the moment I'm working on some post-relaunch tweaks for Gothic BC and was looking at the logs. In between the people who think I get up at 6:00 a.m. after getting in from the club at 5:00 a.m. and am going to magically download and catalogue 400 photos off my camera, weed through them for the 150 or so worth posting, processes them, and have them posted on the site by 6:15 a.m. (reality: I got up about an hour ago and the camera is still in the bag) who are already scouring the site for last night's pictures, there are a gazillion hits from someone crawling the site for video content with a VEOH client.

This is uncool. First off, there is no video content on Gothic BC, nor will there be for some time to come, if ever. Secondly, as I understand it VEOH is effectively a P2P service which would mean I could potentially have dozens of these clients crawling the site effectively amounting to, given my limited bandwidth, a DDoS attack. No thanks.

Apache rewrite module to the rescue:

RewriteCond %{HTTP_USER_AGENT} veoh [NC]
RewriteRule .* http://www.veoh.com/ [F,L]


Translation for those that don't speak Apache )

Of course, the "nice" thing to do would be to issue a "503 forbidden" response and just let the request die, but what VEOH is doing isn't nice. They are using a distributed network to download video off other people's sites, thereby decontextualising it from authors, who in the case of video-bloggers may be relying on the page context to serve up their advertising or other content that represents their income stream. VEOH then presents the content on their own page, with their own advertising, and makes their own money that the authors of the video content never see one red cent of. They deserve to be hoisted on their own petard.
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